For aspiring authors, one of the most important qualities is perseverance in the face of rejection. The publishing industry has a long history of rejecting revolutionary literature. Stephen King’s first novel, Carrie, received this response from one publisher:
“We are not interested in science fiction which deals with negative utopias. They do not sell.” The book later made King famous, and his novels have sold more than 350 million copies world wide.

Even J. K. Rowling, arguably one of the most widely read authors to date, was rejected many times before sending the manuscript of Harry Potter and the Sorcerer’s Stone to Bloomsbury, a small publishing company in London. The eight-year-old daughter of Bloomsbury’s chief executive read the novel and proclaimed that “it was so much better than anything else” and urged her father to publish it.

Of Joseph Heller’s classic novel, Catch-22, one publisher wrote “I haven’t the foggiest idea about what that man is trying to say . . . Apparently the author intends it to be funny—possibly even a satire—but it is really not funny on any intellectual level.” Catch-22 is now one of the most beloved American novels of all time.

The list goes on to include Margaret Mitchell, Ayn Rand, and William Golding. The lesson here is cliché, but essential for publication-hopefuls: if at first you don’t succeed, try and try again.

Here is an online interview that I have done with the most wonderful artist Lela Graham.  She will soon be having her own show in the Looking Glass, which is in the Student Union, starting February 9th, 2010 till March 2nd, 2010.  The reception for this show will be February 26th at 7pm – 8pm  Lela’s work is so mysterious when first viewed.  The way the clay figures stare away and at you almost sets you up into a daydream to question what they’re thinking, wondering, pondering…  What are these created beings doing in this world and what makes the artist tick?

Angie: First off, what inspired you with your little lady series of clay figures?

Lela: I came up with the figures while creating my Senior BFA show last spring. I had originally planned on making a series of woodblock prints but quickly abandoned that. For the first month of the semester I did nothing but play in my studio. I was fortunate enough to have access to a private room next to the print shop (the unofficial bookarts room). There are a few tables in there and a computer. This space is the reason my show was such a success, I am convenced. I spent at least 5 hours a day in that room for the whole semester. But back to the story. I started thinking about things that remind me about my family, what the piece is about. My mom collects those russian maturshka dolls, so I started drawing them. I wanted to incorporate clay into bookmaking into print but had no idea what to do. Then I started drawing these little faces on foamcore board and cutting them out. Then it just kind of took off from there. I counted and by the end of this past semester, I’ve made over 100 of these little figures.

Angie: What’s the significance of the color, shapes, the way the look and dress?

Lela: Well they don’t really dress, they are just figures. They’ve been compared to tombstones or pillars. I just think they look like a Islamic Woman in Hijab or a Nun in a Wimple (head covering). This is what I was mainly going for. I am facinated by the idea of a woman covering her head. This was one of the most important things I thought about while working, What would a woman cover her head? What does it mean?

The original ladies are raw terra cotta clay because I am in love with the look of raw clay after its been fired. That was just a personal atheistic decision.

Angie: If you could choose one artist to talk to, dead or alive, who would it be and what would you want to talk about?

Lela: Oh goodness…I guess Frida Khalo or the cavewoman who painted in the Pech Merle cave in France. Frida because I want to hear her voice and see her body braces. I know her work so well and have heard her story so many times, but I would just want to know more about what it was like to really be her. To see what she lived with in her own body and how she delt with it. I love the Pech Merle cave (its the one with the spotted horses and outlined hands) I want to know about those horses.

But mostly I would like to meet my Nanny, whom Im named after. She was a quilter, a great quilter. Back home I have been stopped by people in the grocery store asking if I am any relation to Lela Roberts. She died before I was born of cancer. I would love to meet her.

Angie: What advice would you give to someone who wants to be a Studio Art major?

Lela: If there is anything else you have ever thought about doing, anything else in the whole world that would make you happy, do that instead. If you think you’d be just as happy as an accountant or marketing agent, do that. Do anything but this. But if you wake up in the morning and think ‘oh man, studio time’ or if your greatest fear is breaking your dominate hand because you wouldn’t be able to draw again, then art is for you. If your not scared to not have a job or not be respected by people or to be a failure, then be an artist. If you can’t think of anything else you could do, not ANYTHING, then be an artist.

Angie: Is there any deep connection that you get when creating your art?

Lela: I mean, it makes me happy. I can work for 10 hours straight and not even realize I haven’t eaten the whole time I love it so much.

Angie: Have you recently been experimenting with your art? If so with what, and if not have you been coming up with some new ideas?

Lela: Because I dont have access to studio space right now (im student teaching) I have been playing around with different book bindings and sewings. I have been thinking of “the next thing” and I think I am going to make more figures, but less abstracted ones. This time they’ll have arms haha

Angie: Lastly, what’s your favorite color and why?

Lela: Cerulean Blue! I didn’t have a name for that color until I saw “the devil wears proda” and the main character said that was the name of the color. I had a beta fish that color too

The PEEL Literary Arts Magazine is currently accepting applications for 2010-2011 Editor in Chief.  Applications must be turned in to the Student Publications Office on the 2nd floor of the Student Union by 5PM on February 15th.

Please spread the word!  This is an excellent opportunity to develop leadership skills while working with a growing, dynamic organization.

Requirements for this position are listed in the application packet.  Please note that there are two documents to download.  Complete each and return to David Freeman in the Student Publication office.  If you have any questions, please feel free to contact us at thepeel@appstate.edu for more information.

Good luck!

EIC Peel Application

The Peel Application 2

What makes a photo perfect?  Is it the content? The layout? The D-Max Black areas?  The answer is: All the above.  Here’s a link to show you the beauty of perfect photography in black and white.

http://trinixy.ru/michael_kenna.html

It is now time for our Spring print edition of The PEEL! We are now taking submissions to be reviewed for publication. The deadline to submit is February 28th at noon. There is no limit on the amount of submissions you can send, so don’t be shy! For a tutorial on how to submit, CLICK HERE.

kindleIn 2007, Amazon released the Kindle, a portable electronic reading device which downloads books and newspapers much like your ipod downloads music. This event sparked considerable controversy in the publishing industry, for which many scholars believe the Kindle signals the end. There are indications, however, that the Kindle could be the savior publishers have been waiting for to bail them out of dwindling profit margins.

The Kindle features the three qualities that Americans seem to value highly in the new millenium–affordablility, sustainablity, and efficiency. Subscribing to The New York Times via the Kindle saved one Business Week reporter $233 in his first year as a Kindle user. This also saves a considerable amount of paper, and it takes little more than thirty seconds to download a book to the Kindle from Amazon.

There are concerns, however, that coorporate interest will gain the same sway over the content of the Kindle that exists over the content of American news media. Last July Kindle recalled 1984 and Animal Farm by George Orwell due to conflicts with the rights holder, a move which Kindle critics perceived as highly ironic (New York Times). Certainly such a recall never would have occured over print editions of the novels.

The concept of electronic reading devices certainly has caught on–Amazon recently reported that its third quarter profits have surged to the 70 percent mark (NPR). The Kindle already has competitors, including the Sony E-Book and the Barnes and Noble Nook. There are even rumors that Apple is soon to cash in on the e-reader concept. The bottom line: it will not be long before readers are relying most heavily on the literary stock of the internet rather than the stock of their local book stores.

While the future of the e-reader seems bright, I cannot help but look back on the collection of paperbacks I have amassed over the years with some melancholy feeling. I am elated by the possiblility that the Kindle will “spark,” if you will, the interest of a whole new generation of readers in the power of the written word. But it is my belief that a book is only truly loved when is shows the wear and tear of many readings–underlines, dog-eared pages, cracked spines, and notes in the margins. Can you inscirbe the front page of the Kindle when you bequeath it to a friend? As for me and my house, we will read paperbacks.

Hello everyone,

Critique classes for the Poetry and Art committees have been scheduled!

The poetry committee critique class will be held Wednesday, October 28th at 6:15
in Room 421 of New Belk Library.
Sarah Humphries and Joseph Bathanti will guide
the group through the review and selection process.

The art committee critique class will be held October 30th at 4:10 in Wey Hall
Room 131
.  Angela Barker and Kathleen Campbell will be leading this critique
session.

Students interested in the Prose committee should contact us for information
about the next committee meeting.  Students can also join the facebook
group–link provided below.

If you are unable to make these times due to a prior commitment but would still
like to be involved, please contact us at thepeel@appstate.edu and we will
schedule a make up date.

Other Upcoming Events:

–Our next Monthly Meeting will be held on November 4th at 7:30 in Room 421 of
New Belk Library.

–The PEEL will be hosting an Open Mic Night November 16th at 8 PM in Crossroads
Cafe.  Those interested in reading should come 10 minutes early to have their
poetry or short fiction checked by a PEEL staff member.

Remember: The Fall Deadline is November 20th for the debut edition of the
online magazine.
Get creative and send your submissions in soon!  Encourage
your friends and classmates to submit as well.

Also, for more information on the different committees to get involved in, find us on Facebook!

The PEEL Lit
Mag–http://www.facebook.com/group.php?gid=152543363463#/group.php?gid=6432031227&ref=ts

Prose Committee–http://www.facebook.com/group.php?gid=152543363463

Poetry
Committee–http://www.facebook.com/group.php?gid=152543363463#/group.php?gid=149855119219&v=info&ref=ts

Art
Committee–http://www.facebook.com/group.php?gid=152543363463#/group.php?gid=150963056785&ref=ts

Special Events
Committee–http://www.facebook.com/group.php?gid=152543363463#/group.php?gid=148810702908

Graphic Design

 

If you have any questions or concerns, please feel free to contact us at anytime!

The PEEL Staff

Last week we had our first monthly meeting of the year and it went great! Thanks to everyone who came out and got involved. For those of you who were not able to make it, be sure to check out the different committees to find your place with The PEEL. We have updated the different upcoming events on our website, and hope everyone will be able to make it out to our next monthly meeting. Submissions are starting to come in, so make sure you send us your work as soon as you can. If you have any questions be sure to email us at thepeel@appstate.edu, or join our facebook group to stay updated.

I got a thing for food and art....

I got a thing for food and art....

Every now and again I like to go to nytimes.com and look in their Art & Design section.  Tonight I’ve found my all time favorite Art Form/New Movement!  Its been dated back to the fourteenth century and was started by the very resourceful Japanese.  The Art of food in Japan is not just simply based on the convince or price of it, but! instead is based on the aesthetics of the way the food is shaped, looks, and most importantly tastes.

The Editors of New York Times who posted this article were explaining how many Americans today, like myself, are tired of looking at food and not getting any pleasure from except for its belly filling success.  A new mainstream trend that is slowly occurring is Americans taking their food and making a statement out of it!  It is called Bento!  Bento is taking foods and making them into shapes and forms to create a new look of the food we all eat.  As you can see in the image down below this food artist took their rice, dyed it pink, and then used boiled egg to create a little piggy treat!

If you’re as excited as me about Bento here is a wonderful link to help you on your food art way!

pigs in a yummy blanket of food ^_^

Here is an exquisite, beautiful, and ,may I say, seductive lunch.  My friends, here is a Bento!

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